Hugh Huddy
Radio Lento
Not specifically for children, but each episode features a lovely landscape sound postcards in 3D immersive sound. Best with earphones. Listen while reading, resting or being mindful.
Go to episode one
There are 268 episodes
Episode One: Episode 1 – Suffolk wood at 6am
This is an Episodic show. You can listen to it in any order, but episode one is always a great place to start.
About
Created by: Hugh Huddy
Started: March 29th, 2020
Status: Active, 268 episodes
Kind: Episodic
Language: English
Link to this Podcast
<a href="https://soundcarrot.com/shows/shows/radio-lento/page/28/" title="SoundCarrot.com - Children's podcasts"><img src="https://soundcarrot.com/img/sc-sm.png" alt="Listen On SoundCarrot" style="width: 200px; height: auto" /></a>Creators website
Hugh Huddy
Content, Artwork and advertising within this podcast is not owned or affiliated with Sound Carrot.
Hugh Huddy
Content, Artwork and advertising within this podcast is not owned or affiliated with Sound Carrot.
Episodes
52 The balm of warm woodland in late summer
31:40 | Episode: 52 | January 30th, 2021
Locked-down and nowhere to go. With pounded pavements all pounded, and back gardens beleaguered under pallid skies so dull sodden with wet, it’s hard to remember the feeling of travelling out of London to walk free through a forest in barmy summer heat. It feels important to think of it now though. More than ever. Really think of it. Reawaken it. The experience of a late summer walk through the Bayford Pinetum in Hertfordshire.
Garden birds under a silent sky
51:45 | Episode: 51 | January 23rd, 2021
Every year, on or near the 4th of April, we leave the microphones out in the back garden to record the dawn chorus. It’s a simple ritual, partly to mark the beginning of a new season, and partly to compare how the dawn chorus sounds now compared to last year. Despite us living in Hackney in the North East of London, where the buildings and roads don’t change much, the soundscape from year to year does. It’s always different. We’ve been making these recordings for 12 years and, not surprisingly, last year saw the most dramatic change. London was in its first lockdown. The schools were closed, the roads mostly empty, reduced to a fraction of the normal traffic. And the skies had fallen silent. No more planes chasing the tail of another, minute by minute. As the day dawned and the sky lightened, the gardens behind the terraced houses woke to high circling seagulls and silky soft birdsong. Unimaginable, impossible in any other year. Gone the rumble and whining of jet engines, gone the rattling bumps of cars on speed bumps. Gone the heavy grey noise, the aural fog that coagulates the air. Instead see-sawing great tits, echoing, crisp and pure. The jovial cooing of wood pigeons. The cawing of rooks. Some screeching green parrots on a mission to get somewhere else fast, and little delicate chittering birds commuting from roof to roof. And like an operatic performer, like a musical instrument perched in a tree, the most totemic of garden birds began to sing its song. Melodious. Perfectly clear. Wonderfully inventive. Inflecting notes of cheer and even glee, as it embarks upon its journey into spring. A blackbird.
50 Singing beck below Black Hill (sleep safe)
01:00:00 | Episode: 50 | January 16th, 2021
High on a Derbyshire moor below the summit of Black Hill, between Disley and Whaley Bridge, there’s an ancient trackway. It runs almost level across boggy ground with views over rough pastures and gritstone walls to a lone standing stone. After about half a mile the track descends sharply into a tree-lined dell. Nestled in amongst a wood, there’s a small farmhouse mostly hidden from view. It was, more than a lifetime ago, in 1898 the home of Carl Fuchs, a distinguished cellist, who played in the Halle Orchestra and the Brodsky quartet. At the point where the gorse bushes are, where the path narrows and sinks below the gritstone walls, and the deep ruts get deeper, the traveller hears water. A babbling beck, waiting to cast its spell. A sonorous moorside stream that has to be forded, on tip toe, over exposed rocks. In his memoir, Carl Fuchs when working in the stream, once told travellers that the water was safe to drink. Clear, and from the mountain. Being within a natural cutting, overgrown with straggly trees, its sound is amplified. Shaped by the action of water over rocks, and conducted by gravity, the beck rills the air, as it has for centuries. The deep rocky pool into which the water tumbles, sings watery notes. Colourful, resonant, vibrant. We pushed through the undergrowth and left the microphones to record overnight, downstream of the pool. Time passes. Tiny flurries of rain fall onto the sheltering leaves. The beck flows mellifluously, down and away into the wide open valley to the right. The vastness is sometimes revealed by a passing plane, or a car on a distant road. The birds are asleep. Nocturnal things hold their silence. The beck casts its spell.
Suffolk Wood (part 6) – 1am to 2am sleep safe with owls
01:05:55 | Episode: 49 | January 9th, 2021
All is still in the wood. It is mid-way through a barmy August night. There is no breeze to rustle the trees. Dark bush crickets trichit the passage of time on crickle-dry carpets of leaves. Carried clear over the surrounding fields, the bell of Saint Mary’s church chimes one. It’s this time, in between the small hours, when the landscape is farthest from light, that the balance between what is near and what is distant shifts and blurs. Cows low. Geese and ducks fly high overhead. The nocturnal noise of the distant A12 has thinned, become a panoramic drape around the wood sharpening what’s heard within. Echoes. Of owls. Far off. They’re on the other side. Dead branches drop. Thump the hollow ground from where a hidden creature silently emerges to nibble at leaves. Then, they come. The Tawnies. A male and a female, maybe more. They land on high treetop boughs. Cast trembling calls. Haunt the breezeless voids. Time passes. The wood rests. The clock strikes 2.
Abney Park on Christmas Day in the morning
58:07 | Episode: 48 | January 2nd, 2021
Through the bare limbed trees of Abney Park nature reserve in Hackney, London a song thrush sings sweetly. It’s first light. The air and the microphones are frozen, left behind through a long night and its icy winds. Ivy hangs still, above the lion on the tomb. Abney Park is both a nature reserve and one of London’s ‘Magnificent Seven’ cemeteries. It’s early, silky quiet. The park hasn’t opened yet. The derelict chapel is an angular shadow beneath leafless trees. Footpaths lie empty, gravestones unread. Everything’s waiting for the people to appear. Bathed in the soft city rumble, the softest it can be, the rooks see the light and caw from the treetops. Wood pigeons wake up. Robins stationed on branches one, two, three, brightly twistle strong melodies, mark their territories, all puffed up against the cold. Seagulls wheel in the wide open above the wood, and a sparse few planes rumble by, long haulers coming in, they must be, this being Christmas Day. With the gathering light comes the dazzling spacious song of wrens. A woodpecker. A fleeting murmur of passing geese. A hint of a breeze, a moment of shift in the ivy. And then of alerting birds and far off the sounds of people, a family, happy children and their dog. The first in. The first through the gate. The first to breathe the pure crisp air of Abney Park, on this fast brightening Christmas Day of 2020. [This episode was produced in collaboration with the Abney Park Cemetery Trust.]
Quiet field by Young Wood
36:28 | Episode: 47 | December 26th, 2020
It took several miles, over claggy east Hertfordshire footpaths and a waterlogged bridleway, to find a quiet field. A peaceful spot where the susurrations of the natural landscape outweigh that of the distant A10. To break our winter walk, we came off the bridleway and followed a babbling brook into a spindly thicket, where we left the microphones alone to record. The water’s running steady. Rilling over dark stones, flowing in and out of small pools hidden under grass, from where a bit of bobbing wood spins and softly knocks. Above small birds flutter and chitter in the leafless trees and far off, seagulls. An old Land Rover splashes its way down the empty puddled lane. A lofty buzzard circles and droops its whistling call high over the nearby wood. Behind tails of wood smoke, jagged shapes of crows, leap and caw between the trees. Somewhere deep in Young Wood, a pheasant creaks. It’s waiting for the dusk.
Derbyshire gales blow away the cobwebs
50:41 | Episode: 46 | December 19th, 2020
It is one of those bright-skied days when the clouds are moving faster than they should and you can hear the weight of the trees. A gale is sweeping the moorside, clearing down the dead wood. Sheltered inside an outcrop of trees, everything’s in motion. What’s loose is up and swirling, what’s tethered bobs and waves. Banks of wind surge, roaring through the high treetops, bending hundred ton trunks that in turn lean, and straighten. Eddies are whirling down through the foliage, lifting tangled vines and rustling crisp leaves. Beyond the wood, sheep stoically graze, knee-deep in green grass. They’re overseen by the cockerel crowing hard to be heard. Chickens poke and cluck over the rough ground by the farmhouse. Its roof appears and disappears behind rocking boughs. A tractor chugs by on the lane, its smoke dragged out flat from the chimney. Birds come and go, twittering and calling, unperturbed by the wind. Hill walkers clink a distant gate. Time to take it all in. To fill one’s lungs and let a Derbyshire gale blow away the cobwebs.
Night rain falls on a Peak District moorside (part 2 – sleep safe)
42:23 | Episode: 45 | December 12th, 2020
It’s the early hours of the morning. Shrouded under dark sky and cloud, the rain’s falling heavily on the moor above the Whaley Bridge reservoir. It’s dowsing the trees in this small wood, pouring and scattering through the waxy June leaves, filling the air with a springly spray of refreshing sound. The sheep and the lambs are asleep. The farmhouse over the field is a murky shadow beneath a haze of yesterday’s wood smoke. The cockerel, the chickens and the dogs are silent. Only owls are there, somewhere in the inky dark, far echoes from another wood. It’s a Derbyshire landscape, all hills and fields with gritstone walls and slopes that end in valleys. Time passes. The rain falls. And as it slowly eases to a patter and the last jets have ploughed their lazy ways down into Ringway airport, the owl comes close. Almost incredibly to a tree near where we left the microphones. A tawny owl, calling for its mate. It just appears. Its wings make no sound.
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Created by: Hugh Huddy
Started:
March 29th, 2020
Status: Active, 268 episodes
Kind: Episodic
Language: English
This is just so relaxing to listen to.